August 28, 2010 1 Comment
The smell of wood was unmistakeable.
The space was filled with bits and bobs, an old table, a repaired wooden chair, a u-shaped tangle of wires suspended from the ceiling, orange-handled saws hanging from the wall and clean make-shift white pillars that displayed tiny spherical sculptures in orange and brown.
In many ways, it seemed perhaps the average work space for any young artist. But it also had character – the mark of one particular sculptor.
Like the artist who works within, this studio is – in part – tucked away and not easy to find, but expressive and creative, a treasure on the east side of Hackney.
Daryl Brown is the quietest figure in the room. His knick knacks all speak loudly, but his voice is gentle and unassuming. He talks about his work with a sort of understated humility.
I explain to him what I’m working on and he responds with a series of sympathetic head nods letting me know that he is willing to join the myriad of hard-working and passionate young artists I’m writing about.
The Judo Series
He describes the motivation for his recent works, the Judo Series. The pieces are inspired by a book on Judo – an ancient martial art. And like the figures that move within its pages, Brown’s pieces are organic, flexible, creative forms.
At his exhibition in the Magnificent Basement, the pieces sat under light, which highlighted the taut muscular bend of the wood as it seemingly defied gravity. The light bounced off of the reflective surface of the slick blackness of his cradled figure.
Inanimate or not, there’s something human in each of them. Brown’s pieces breathe as if they were alive.
And in and around the sometimes austere display, the artist was as undisturbed then as he was sitting before me in his studio. I wondered not for the first time if, ironically, he was recreated by his pieces. Had his work somehow defined him even as he left them behind to explore a new idea?
His experiences as an artist in London derive much from his encounters as a student.
“I did feel like I was a bit in a wilderness,” he said about leaving art school. “I was wondering around a bit, not really sure what to do, convinced that I couldn’t afford a studio.”
But his desperation caused him to go back to the University of East London, where he received his degree, to use the space in order to continue creating.
After being independently approached from students at university, he was asked to be a part of a show.
When Brown likened his experience during that time, working with another artist, as an apprenticeship – it was no surprise. Brown’s whole demeanour speaks of modesty.
He lauded ALISN – an artist led initiative – for the consistent support they’ve given him, especially in regards to his exhibition at the Magnificent Basement, which they sponsored.
“I was very much championed by ALISN,” he said, warmly.
He contemplated for a moment when I asked him about the artists who inspire him. Surrounded by sculptures, I didn’t expect him to mention painting – but he revealed a soft spot for the art in his slight smile. A big fan of Francis Bacon, his modesty again showed no bounds.
“I was doing my GCSE’s when I did a painting, which didn’t look like one of Bacon’s – let me make that clear. But I like his work. I look at paintings quite a lot. I like Caravaggio. I also like the sculptor Phyllida Barlow who’s bold style has played a big part in my work lately.”
Yet, despite his unassuming nature, Brown has very strong feelings about the type of artist he wants to be. Working as a technician at Havering College and paying £110 a month for studio space, he isn’t always certain about the future or even about his own evolution as an artist.
“Ideally, I’d like to believe it’s about getting the work to a certain standard. But that’s probably a very idealistic point a view. I still feel I have a long way to go, but I’ll probably always feel that way.”
Brown says this with a smirk, as if he’s just been caught with his hand in the cookie jar. It becomes clear that despite the hardships, he finds creating art worth every minute.
Some of Brown’s current work will be exhibited this coming Saturday, 9th October at the Magnificent Basement in London from 7:30pm.